When to Say No to New Interiorscape Clients

Most interiorscape companies start with the goal of bringing in as much work as possible, so turning down new clients or projects can feel counterintuitive. However, taking on too much work before your team, schedule, or resources are ready can quickly lead to stress, costly mistakes, and disappointed clients. Over the years, I’ve learned that knowing when to step back from an opportunity can sometimes be the better long-term business decision. Here are a few situations where saying no may actually help protect your business.

When Taking on More Work Overwhelms Your Interiorscape Business

Taking on a new interiorscape project when your team is already stretched thin can quickly create problems. Exhausted employees, limited materials and equipment, and tight cash flow can put strain on your operations and make even routine projects difficult to manage. When there isn’t enough time or support to properly handle the work, mistakes like inaccurate pricing, underestimated labor, and scheduling issues become much more likely. In many cases, those mistakes can lead to lost profits, frustrated clients, and damage to your company’s reputation. 

I saw this happen firsthand with a local company that hired me to maintain the plants in their office. Each week, they seemed to take over another section of the three-story building until they eventually occupied the entire space, managing accounts ranging from small mom-and-pop shops to large national chains. About a year later, they suddenly downsized to just a few small offices. They had expanded too quickly and couldn’t keep up with customer demands or maintain the infrastructure needed to support such rapid growth. As the company struggled to keep up, it lost more than 80% of its clientele, and its reputation for poor customer service made attracting new business incredibly difficult. In situations like this, putting potential clients on a waiting list may earn far more respect than taking on work you can’t realistically support.

When You Can’t Deliver the Quality Your Clients Expect

Another time to step back from new work is when you can’t confidently deliver the level of quality your clients expect. Valentine’s Day floral orders are a perfect example. It can be one of the most stressful times of the year, with vendor prices rising, inventory disappearing quickly, and nearly every arrangement needing to be delivered on the same day. Under that kind of pressure, it becomes much easier for mistakes, delays, and disappointed customers to follow.

One year, a new interiorscape client contacted me the night before Valentine’s Day, wanting one of our specialty arrangements, but he never confirmed the order. By the time he responded to my follow-up messages the next afternoon, we had already sold out. Instead of apologizing and explaining that it was too late to fulfill the request, I rushed back to the wholesale supplier to try to make it work, which was my first mistake. My second mistake was purchasing the only sunflowers left, even though they were much smaller and lower quality than the original arrangement. The third was agreeing to meet the client at a busy town center already overwhelmed with Valentine’s Day traffic.

By that point, everything felt rushed and stressful. I arrived at the wrong restaurant first, and while walking through the crowd, the wet cardboard beneath the vase gave way and sent the arrangement crashing onto the sidewalk. Even after quickly reassembling what I could and delivering it at a discount, the arrangement fell short of both my standards and the client’s expectations. I lost money, added unnecessary stress to an already hectic day, and risked damaging the client relationship. Situations like this are a good reminder that taking on work you can’t realistically support rarely ends well.

When a Client or Opportunity Seems Too Good to Be True

It’s important to carefully evaluate opportunities that seem unusually promising. Several years ago, I had the chance to design for a start-up company that had just moved into the top floor of a beachside high-rise. Walking into the office, I could hardly believe the view. Every window overlooked miles of ocean, crowded beaches, and surfers out enjoying the sunshine. The ping-pong tables and arcade machines gave the space a trendy, relaxed atmosphere, but I still found myself questioning how the company operated behind the scenes. Like I would with any new client, I asked what the company actually did, but the answers remained vague. Based on the furnishings, artwork, and impressive location, the business appeared extremely successful from the outside.

Despite my efforts to meet their expectations, every design submission seemed to come with another issue or revision request. Even though the project had the potential to become one of my largest sales, I eventually stopped pursuing it after repeated delays and a lack of communication. At the time, I assumed they had simply chosen another company. But later, I saw the business featured on the local news for defrauding customers with phony telephone bills. What appeared to be a thriving company was actually a scam operation, and two of the owners eventually fled the country, leaving thousands of dollars owed to local vendors. Looking back, walking away from the opportunity likely saved me from a significant loss of time, money, and frustration. Sometimes, turning down the wrong client can be just as important as landing the right one.  

Protecting Your Interiorscape Business

Knowing when to step back from a project, delay new work, or walk away from the wrong opportunity can be difficult, especially in an industry built on growth and relationships. However, recognizing your limits and carefully evaluating potential clients can help protect your time, reputation, and the quality of your work. In many cases, turning down the wrong project is one of the best long-term decisions you can make for your interiorscape business.

Sherry has been part of the interiorscape industry for over fifteen years, starting at an entry level job at North Florida's largest greenhouse and currently owning two horticulture companies. At UMaine, Sherry majored in English where she worked part-time writing scripts for a local college TV studio.

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